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Selected Projects

74tharts presents:
"The Window and the Couch" 

June 2024
Bibliothek WEST, Wien
Group exhibition curated by Simon Rees

Diptych „Freud und Leid“
2024
Graphite, coloured pencil, red chalk on paper
168,0 x 103,0 cm

Freud und Leid: a play on words as the name “Freud” echoes the German word for joy, “Freude”.

 

In the diptych, it is dialectically juxtaposed with
suffering – “Leid”.
Iconic, spontaneous forms visualise the colours of life. It is only in the cohesive whole that stability and joie de vivre emerge from the order of cell-
like, biomorphic forms. Harmony in colours and surfaces, surprising in their outcomes and not plannable, like life itself. A fragile bond on the brownwomb of Mother Earth.

 

The fault lines, fatefully inscribed in black from the very beginning: dark spaces of decay or illness.
Black lines separate. They overwrite what was once orderly. Uncoordinated and boundless suffering grows. The disease that takes possession of our intactness. In the disintegration of formal harmony, black space gains its autonomous identity. It leaves us searching for joy in suffering.

"Traces of the Invisibles (2017, 2023)

HUMAN_NATURE
Group exhibition, Künstlerhaus Wien
June – September 2023

Visualising the becoming and withering of life in drops of water.
Several live performances at the Künstlerhaus in Vienna.

Traces of the Invisibles, HUMAN _NATURE, performative installation, Künstlerhaus Wien, 2023

KRAFTRAUM: Contemporary music & particle physics
Cooperation Denise Schellmann with Klangforum Wien & CERN, 2018

Thematic suggestions for an event poster at KRAFTRAUM, Klangforum Wien, 2018

"Reality", CERN 2017

„Reality“, CERN 2017
As part of the exhibition:
Circuit Training - A Foray Into The World Of The Large Hadron Collider


University of Applied Arts Vienna in cooperation with CERN, HEPHY & Art@CMS
@ das weisse haus, Vienna
June 2017

Reality, mirror installation, CERN 2017

How real is the real?


The mirror installation Reality presents CERN’s data filtering system as a metaphor for our self-created perceptions of reality.
In the proton collision events at CERN, the amount of data created in just fractions of a second are so large that they cannot be stored anywhere in
the world.


The data is therefore filtered in advance – which means that only a fraction of it actually remains left over for use in the search for the origins of the
universe.
In the mirror installation, the real image is no longer distinguishable from the replicated image.

Reality, mirror installation, CERN 2017

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